8/31/2023 0 Comments Bad habits song writers![]() ![]() ![]() ![]() Thanks to his penchant for far-reaching, streaming-ready collaborations, from Stormzy to Beyoncé to Bring Me The Horizon, he can also inhale the whiff of second-hand cool even if the concept remains alien to him. If one genre isn’t to your tastes, then fear not, another will be along soon. He’s also malleable – when he’s done with hip-hop, for example, he doesn’t need an image overhaul to then revert to balladry. His personality rarely gets in the way of the music his social media presence is a promotional tool rather than a distraction. He can skip between genres with ease, be it indie-folk, pop, R&B, grime, hip-hop, because each new persona is a projection on to a blank slate. As an artist he rarely impedes the songs he creates. And therein lies the crux of Sheeran’s success. The cynicism of the songs’ creation was, of course, irrelevant to the listener. It quickly established him as a master of both worlds. So third album ÷ (Divide)’s two lead singles, Castle on a Hill and Shape of You, were crafted to simultaneously hit two different demographics: the former’s drive-time rock was perfect for Radio 2, while the latter’s tropical-tinged R&B (the song was initially offered to Rihanna) was aimed at Radio 1. Rather than shroud his music-making in layers of mystery, or bejewel it with highfalutin concepts, Sheeran revelled in its laser-focused box-ticking. Sheeran prized relatability from the start – shuffling awkwardly into glitzy award shows in a hoodie. Set in opposition to the untouchable, deity-like superstars such as Beyoncé (who would later collaborate with Sheeran on UK Christmas No 1, Perfect), and the avant-garde meat dress-sporting likes of Lady Gaga, artists such as Sheeran, Adele and Emeli Sandé made open, emotionally straightforward, resolutely “authentic” music broad enough to leave no one feeling alienated. His success chimed with the rise of what journalist Peter Robinson called the New Boring, a prevailing anti-fun agenda that’s since become deep-rooted. music consumption.The roots of Sheeran’s ubiquity can be traced back to his mainstream arrival a decade ago. The hits impacting the year-end singles charts reflect the surge in music consumption across the U.K., and, in particular, the ongoing rise in streaming.Īccording to new data published by the OCC, total recorded music consumption lifted by 2.5% in 2021, powered by streaming.īrits played more than 147 billion tracks over the course of the year, up 5.7% from 2020, the report finds, as streaming now accounts for 83% of all U.K. (ERA), and based on sales of downloads, CD, vinyl plus audio and video streams. ![]() The Official Charts are collated by the Official Charts Company, a joint venture of labels body the BPI and Entertainment Retailers Assn. 32) and Joel Corry (“Head & Heart” with MNEK at No. 21), Lil Nas X (“Montero (Call Me By Your Name)” at No. 6 and “Cold Heart” (Pnau Remix) with Elton John at No. Other acts landing multiple entries in the 2021 Top 40 include The Weeknd (“Save Your Tears” at No. The California teen ties with Sheeran for the most entries on the year-end survey, with three each. singles chart, ahead of two Olivia Rodrigo songs, “Good 4 U” (167 million streams) and “Drivers License” (nearly 156 million streams), respectively. Of that sum, “Bad Habits” was streamed 204 million times and amassed 142,000 sales. Singles Chart for 11 weeks during the year, amassing more than 1.7 million combined sales along the way, the OCC reports. The first single lifted from Sheeran’s latest chart-leading set = ( equals), “Bad Habits” led the Official U.K. It’s official: Ed Sheeran’s “Bad Habits” was the U.K.’s biggest song of 2021. ![]()
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